here while nothing, work notes

2010-2026, ongoing research

here while nothing, work notes is an ongoing movement research and choreographic inquiry that began in Berlin in the summer of 2009 at the dance studios at Uferstudios Berlin, while working with dancers on a new piece. It proposes choreography as residue rather than intention—as something that takes place outside intention and yet remains deliberate. The research asks what kind of dance might emerge when there is no attempt to form any dance at all, and what possibilities arise from nothingness understood as a specific site or condition of production. The range of responses to this research question appears occasionally in both practice and theory throughout choreographic works, texts, processes, and practices. This line of inquiry led to a piece titled work every day (2010), which examined questions of dance work, immaterial labor, residual forms, rest, embodiment, form and formlessness, appearance and disappearance.

Concept: Marjana Krajač / Assistance and Collaboration: Iva Korenčić / Dancers: Amelia Uzategui Bonilla, Bettina Bölkow, Elisa Fernández Arteta, Chloé Serres, Johanne Timm, Véronique Laugier, Lisa Pfoh, Maryam Nikandish, Céline Larrere, Meredith Bove / Photography: Iva Korenčić / Project supported by Tanzfabrik Berlin, Uferstudios Berlin, Ministry of Culture of Republic Croatia and the City Office for Culture Zagreb / Production: Sodaberg Koreografski Laboratorij / Curated by: Tanzfabrik Berlin / We thank Darius Gall, Corinna Friese, Andrea Hagedorn, and everyone who joined us on Monday, August 10, 2009, at Uferstudios Berlin. /